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a cobbler’s dozen.

inspired by “the twelve dancing princesses.”

 
 

"a cobbler's dozen."

faerie tale feet painting inspired by the brothers grimms'"the twelve dancing princesses."

this painting takes me back to my very favourite faerie tale theatre episode of the same tale.

depending on the version you read, the king may have banished dancing in the kingdom after the death of his beloved wife, or perhaps the princesses are under a spell. whichever way, the king locks them in their room at night, and still EVERY morning without fail, their slippers are worn out and a dozen new pairs of shoes are demanded of the kingdom cobbler every day.
the king sends out a proclamation that anyone who solves the mystery of the worn-out dancing slippers gets to marry the princess of his choice and become king.
prince after prince fails (for they drink the wine at dinner that has been dosed with a li’l extra sleeping potion by the princesses), until finally a humble soldier, returned home from the wars, decides why not him to solve the mystery?

he meets with a peasant woman in the woods, and in gratitude for his sharing his bread and cheese with an old beggar woman, she gives him two things: one piece of advice —don’t drink the wine!, and two– a cloak to make him invisible so he can follow the princesses and find where they go at night.
i’ll spare you all the EXCITING details because of course you ought to read the tale for yourself, but he does indeed follow them to an enchanted kingdom below the palace where they dance the night away with twelve princes (possibly also cursed) who row them to the shore of a palace where they dance and dance until their shoes are positively worn out. they venture through forests of silver, gold, and diamond (hence the branches above the palace in the right hand panel of my painting), and the soldier’s final piece of proof he brings back to the king after the third night of watching the princesses dance is a golden jeweled goblet unlike any the king’s kingdom has ever seen.
last spoiler: it has a happy ending. 

(andrew lang’s version has the *spoiler* garden boy falling in love with the youngest princess; i like the grimms’ version better.  but they’re both lovely.)

have a peek at my painting process below!

there are SO many beautiful illustrated books by a wide range of illustrators interpreting “the twelve dancing princesses.” it took a LONG time to widdle down my ideas to a composition that told the whole story.

there are SO many beautiful illustrated books by a wide range of illustrators interpreting “the twelve dancing princesses.” it took a LONG time to widdle down my ideas to a composition that told the whole story.

after a lot of chats with faerie-tale minded friends, i landed on a long-format layout with a dozen pairs of shoes and two side panels to tell the story.

after a lot of chats with faerie-tale minded friends, i landed on a long-format layout with a dozen pairs of shoes and two side panels to tell the story.

there’s the final outline sketch on tracing paper so that i can transfer it to the watercolour paper.

there’s the final outline sketch on tracing paper so that i can transfer it to the watercolour paper.

once i’d transferred and filled in the drawing, i started by painting the first layers of colour on the tulip border. (excellence is in the details, right?)

once i’d transferred and filled in the drawing, i started by painting the first layers of colour on the tulip border. (excellence is in the details, right?)

there’s a mauve-y background to the whole thing… but the colours still went a wide range of brite and wild.

there’s a mauve-y background to the whole thing… but the colours still went a wide range of brite and wild.

i did a crayon color comp… but you know how that evolves (read: the plan goes straight out the window) once you put a brush and an unlimited palette in my hand.... ;)

i did a crayon color comp… but you know how that evolves (read: the plan goes straight out the window) once you put a brush and an unlimited palette in my hand.... ;)

i could have spent a caboodle of months adding layers of colour and detail to the shoes and ribbons. but i eventually had to call it after a day or few…on the left panel, the soldier in the invisibility cloak is stepping on the hem of the youngest s…

i could have spent a caboodle of months adding layers of colour and detail to the shoes and ribbons. but i eventually had to call it after a day or few…

on the left panel, the soldier in the invisibility cloak is stepping on the hem of the youngest sister’s (& last in line’s) hem as they journey down to the enchanted kingdom. the drapes represent the bedroom and the secret passage that opens under the eldest sister’s bed when it’s time for the nightly ball…

in the right hand panel is the kingdom, and silhouettes of the princesses being rowed to the shore by their twelve princes. in the sky are the silver, gold, and diamond branches of the forest that they walk through on the way to the boats.

in the right hand panel is the kingdom, and silhouettes of the princesses being rowed to the shore by their twelve princes. in the sky are the silver, gold, and diamond branches of the forest that they walk through on the way to the boats.

i reaaaaaaalllly love how the castle turned out. it makes me happy.

i reaaaaaaalllly love how the castle turned out. it makes me happy.

and here’s the (almost) final shoes. i think i added a few more stitching and shadow details in the morning….

and here’s the (almost) final shoes. i think i added a few more stitching and shadow details in the morning….

original painting (6×14″ + mat & soft black handmade wood frame) is available for collecting, $525 (+$40 safe US shipping).  contact me!